Universality and the Particular Essay -- Poetry Literature Authors Wri

Universality and the ParticularHi fiction, Gilman writes, is, or should be, the story of our racial life (Gilman 216). Eliot is a bit less succinct, but possibly he could be most pithily summed up as saying The billet of the poet is not to find new emotions, but to use the ordinary ones and, in working them up into poetry, to express feelings which ar not in positive emotions at all (Eliot 1919, 23). It is not immediately evident what either generator means by these statements, however, they both contain the core of the argument. Both authors brace their individual aims and intents with their writings, however, in spite of the differences, their arguments find more common maroon than disagreement. Their terminology is certainly different, but they see the purpose and aims of publications as by and large the same.Literature, according to Gilman, originated as the legitimate child of verbal tradition, a product of natural brain activity (218). Implicit in this, and made e xplicit elsewhere, is that literature is inherently a form of communication. And, since our in truth life depends on some communication, Gilman indicates very strongly that literature, both in its ancestry and in its current incarnation, provides an extremely important role in our existence (218). She elaborates on this notion of communication, however, and specifies that a passionate interest in other peoples livesis the most vital art (218). To her, the pattern of the great field of human life is the task of all literature and is crucial to the very existence of society (218). We can presume that on that point is some bias in her argument, as people tend to mobilise highly of their chosen craft. The essential element, however, is Gilmans focus on th... ...e essentially expansionist, forcing the borders outwards to include women in literature. Eliot, on the other hand, seems to be abject inward and examining and rejecting a certain event of reader, a certain type of poe t. However, both, ultimately see literature as capturing the entirety of the human existence. The weapon for doing so in their arguments differ greatly, but the intent and the final goals are the same. Where one speaks of the human soul, the other speaks of impersonality and mean the same thing. Works CitedEliot, T.S. The Impersonality of Poetry. Issues in Contemporary Critical Theory A Casebook. Ed. Peter Barry. London Macmillan, 1987. 23.Eliot, T.S. village and His Problems. Hamlet. Ed. Cyrus Hoy. New York W.W. Norton, 1963. 180-184.Gilman, Charlotte Perkins. The Yellow Wallpaper and Other Writings. New York Bantam, 1989.