Tragedy and Aristotle Ancient Greece was the birthplace of drama. Drama comes from Greek lingual process meaning to do or to act. By the fifth hundred BC dramas were presented at religious festivals twice a form (Ancient Greek n.pag). These grew out of the worship of the god Dionysus. The virtually illustrious classic play-writes from this time were Aeschylus, Sophocles, and Euripides. Aristotle, a philosopher from the 4th one C BC, wrote prescriptions for tragedy in his Poetics, which were based on these classic dramas. Aristotle called Euripides, occasion of Medea, the most tragic of the poets because his plays were the most moving (Ancient Greek). Though right tragedies come through different pretexts from the classics, they still follow canonical principles. Fences, a modern drama by August Wilson, is a tragedy because it is tardily comparable to Medea which is consistent with Aristotles prescriptions. First of all, for a drama to be considered a tragedy it m ust impersonate events of grave greatness as Aristotle explains, a tragedy, then, is the imitation of an natural action that is serious. Medea demonstrates serious events as Jason, Medeas husband leaves her to marry the princess of Corinth: [H]e, my own husband, has glowering out solely vile (Euripides 8).
The drama also exhibits serious-mindedness through the deaths of the princess, Creon (her bewilder and king of Corinth), and Medeas children: There they lie close, the daughter and the old set out, / suddenly bodies, an event he prayed for in his tears (39). Fences also contains elements of seriou sness that could parallel Medea as to the ef! fect that the father in the story, troy weight, commits adultery: Im trying to find a course to tell you¦ Im gonna be a daddy. Im gonna be someones daddy (Wilson 66). Troy also forms a distant relationship from his son, Cory: You dont count... If you want to overtake a right essay, order it on our website:
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